Daniel A. Harris Papers, 1941-1969, n.d. | Oberlin College Archives
Daniel A. Harris was born in Dayton, Ohio to Joseph H. Harris and Bertha Lambert on May 19, 1903. He attended public schools in Hillsboro and Columbus, Ohio. He received the B.A. degree from Otterbein College and graduated from the Otterbein Conservatory of Music with a diploma in Voice. He studied in Columbus under Cecil Fanning and did post-graduate work at Ohio State University. He received an honorary Doctorate of Music from Otterbein College in 1939.
Harris studied and performed in musical productions in New York from 1925 to 1927. He conducted advanced study and opera performances (baritone) in Italy from 1927 to 1931, and in France and Belgium from 1931 to 1935. After eight years abroad, Harris returned to perform with opera companies around the country, performing additionally in South America and Canada in opera and concert.
Harris began his teaching career at Louisiana State University. He came to Oberlin in 1940 as an assistant professor of singing. He received an associate professorship of singing in 1946 and took sabbatical leave from 1953-54 to study History of Oratorio and Opera. In 1955, Harris spent three months in Korea teaching at three universities in Seoul and directing opera under the State Department’s International Exchange Program. In 1959, he was appointed by President Eisenhower to membership on the Advisory Committee for the National Cultural Center. In 1961, he spent a sabbatical leave of four months visiting theaters in Italy, Germany, and Austria. In 1966, Harris served as language coach for the Metropolitan National Opera, and worked in the same capacity with the American National Opera Company in 1967. After his retirement from Oberlin College as Emeritus Professor of Singing in 1969, he sat on the staff of the Oberlin Teachers Performance Institute and taught as a guest member of the faculty at the University of Miami School of Music.
Daniel A. Harris married Aletha Stacey in France in 1934. He passed away in January 1993, survived by two sons, Daniel Stacey Harris and John Lambert Harris.
Sources Consulted
Oberlin College Archives
Daniel A. Harris Case File (RG 30/166)
Daniel A. Harris Faculty File (RG 28/3)
Author: Zimmerman, KiraOberlin College Archives
Faculty file of Daniel A. Harris (RG 28/3)
Case file of Daniel A. Harris (RG 30/166)
Poster Collection (RG 46)
Sound Recordings (RG 37)
Conservatory of Music Records (RG 10)
The Daniel A. Harris Papers comprise a very small collection of printed matter that advertised and reviewed productions in which Harris performed, and those of singers from the Oberlin Conservatory such as his student Jane Marsh. The collection includes posters for operas, program notes, newspaper clippings and show reviews, lyrics from Harris’ productions, and alumni and miscellaneous magazines. The papers shed light on trends in music education and performance, and the global expanse of Oberlin’s faculty experience.
The collection is organized into four folders. The first folder contains biographical clippings; the second, printed material related to opera publicity; the third, program notes, lyrics, and features on Oberlin faculty; and the fourth, clippings and articles on Jane Marsh. Oversize posters from this collection were separated and filed in the Poster Collection (RG 46) in 1988.
INVENTORY
Box 1
Folder 1
Biographical clippings, ca. 1942-1969
Features
Performance reviews
Biographical articles
Folder 2
Opera publicity, 1947, 1949, 1950, 1952, 1953, 1957, 1958, 1959,
1962, 1963, n.d.
Folder 3
Program notes 1959, 1967, n.d.
Lyrics from faculty performance of “The Gondoliers,” n.d.
Oberlin faculty features, n.d.
Folder 4
Articles on Jane Marsh and opera in Oberlin
Oberlin Alumni Magazine, 1947-1966, n.d.
Time Magazine, 1965
Life Magazine, 1966
Musical Leader, 1941
Opera News, 1959