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Arthur Lyman Williams Papers

Overview

Scope and Contents

Administrative Information

Detailed Description

Biographical Files

Departmental Files

Correspondence

Writings by Arthur L. WIlliams

Photographs



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Arthur Lyman Williams Papers, 1920-1981, undated | Oberlin College Archives

By Rebecca Deeb

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Collection Overview

Title: Arthur Lyman Williams Papers, 1920-1981, undatedAdd to your cart.

Predominant Dates:1927-1970

ID: RG 30/060

Primary Creator: Williams, Arthur Lyman (1902-1973)

Extent: 0.6 Linear Feet

Arrangement:

SERIES DESCRIPTIONS

Series 1. Biographical Files, 1920, 1940, 1947, 1949, 1955, 1965-66, 1973, 1976, 1981, undated (4 folders)

The biographical files contain documents concerning Williams (i.e., obituaries and memorials) and his family. Family items include his mother's obituary, news clippings about his daughter, and programs from his wife's memorial service, as well as remembrances of Mary Maltbie Williams written by their daughter. This series also contains material relating to Williams' involvement in the Oberlin town community and First Church.

Series 2. Departmental Files, 1924, 1927-69, undated (6 folders)

This series includes files relating to the Oberlin College Music Education department and Williams' involvement in that department and summer music programs. The Music Education folders contain information about departmental and overall Conservatory guidelines and curriculum, especially changes to the program. Many items have notes by Williams, showing his reaction to the information. The Oberlin College Bands folder primarily consists of clippings about the Concert and Women's bands. The series also includes programs from concerts in which Williams was involved, as well as a decade (1931-42) of Music Department programs, with notes by Williams, and information about the Oberlin-Salzburg exchange plan. This series is arranged alphabetically by folder title.

Series 3. Correspondence, 1933, 1935, 1942, 1952, 1957, 1963-67, undated (3 folders)

This series contains professional and personal correspondence (incoming and outgoing) of Williams. Professional correspondence includes letters with Norman Lloyd, newly-chosen Dean of the Conservatory of Music, regarding Williams' concern over Lloyd's opinions about music education, and a letter from Richard Goldman of The Goldman Band. The personal correspondence is a single letter from Walter H. Frederick.

Series 4. Writings by Arthur L. Williams, 1926, 1944, 1948, 1952, 1959, 1966-71 (2 folders)

Series 4 contains reprints of articles written by Williams as well as copies of his report, "A History of the Oberlin College Band." The titles of the articles are listed in the inventory. This series is arranged in chronological order.

Series 5. Photographs, 1928-58, undated (9 folders)

This series consists of photographs of acquaintances of Williams and of an assortment of Oberlin College Bands that were directed by Williams. A few of the personal photographs are in the form of Christmas cards. The photographs of the Oberlin College bands are organized into folders by the following titles: Marching Band, Miscellaneous (i.e. Brass Choir, Trumpet Sextet, Navy Band), Symphonic Band, and Women's Band.

Date Acquired: 01/01/1970. More info below under Accruals.

Forms of Material: manuscripts, photographs - photographic prints, publications, records (documents)

Languages: English

Scope and Contents of the Materials

The papers of Arthur L. Williams primarily document his career as a woodwinds and music education teacher and his involvement in Oberlin College musical groups. The collection includes items relating to his work at summer schools, personal and professional correspondence, and several photographs of Oberlin College bands and ensembles that were directed by Williams. The departmental files and photographs comprise the bulk of the collection. Williams taught during World War II, so many of the documents from that time period reflect the war's effects on the college in terms of enrollment and budget. Only a small amount of biographical information about Williams and his family is included.

Collection Historical Note

Arthur Lyman Williams was born in Oberlin, Ohio, on April 21, 1902 to Lyman Beecher Williams, a carpenter and builder,  and Henrietta Wilhelmina (Rick) Williams. He had four brothers, Cranston, Joel (’32), Paul, and Vernon, and a half sister from his father's previous marriage, Fannie Edwards Eichenlaub (’08). Williams attended Oberlin public schools, and in 1925 he received an A.B. from Oberlin College and the S. Mus. B. from the Conservatory. While at student at Oberlin, Williams was a member of several organizations, including the Men's Glee Club, the College Band, and the Conservatory Orchestra, and he directed several of the groups. He studied at Columbia University in 1927, and in 1932-33 he attended the Royal College of Music in London. He received his A.M. from Western Reserve University in 1943.

Williams specialized in school music, and he remained a music teacher for his entire career. His first teaching positions were in the public schools in Howell and Grand Rapids, Michigan, from 1925 to 1928. In 1928, he became Assistant Professor of Wind Instruments at Oberlin College, and he remained with the college until his retirement in 1968. Williams also taught as a Professor of Music Education. As a professor, Williams was described as meticulous and demanding but always willing to help any student in need of assistance. He was concerned with the quality of education at Oberlin and he was active in its preservation. In a 1963 exchange with the newly-chosen Dean of the Conservatory of Music, Norman Lloyd, Williams expressed concern that Lloyd was not supportive of music education in public schools, which would be detrimental to the Music Education program at Oberlin.

From 1928 to 1957, he was Director of Bands at Oberlin, as well as conductor of others ensembles such as the Brass Choir and Symphonic Band. Williams founded the Ohio Intercollegiate Band Festival, billed as the first of its kind anywhere, in 1929. Nearly every summer was spent teaching at music camps or summer sessions, most notably at the National Music Camp in Interlochen, Michigan.

Williams was highly active in professional organizations throughout his career. He served in positions for the Ohio Music Education Association (OMEA), including President; the American Bandmasters Association; and for the College Band Directors Association, among others. Williams was a strong supporter of music education and the nation's bands, and he received numerous citations for his work, such as the Distinguished Service Award by the OMEA in 1955.

In addition to his organization work, Williams was an editor for publications such as the Music Journal magazine and Triad, which he also founded. He had a long list of published articles and books. From articles about woodwind fingering to reporting on activities of state and national organizations, Williams translated his teaching enthusiasm into the written word. Some of the books he edited were The Vested String Choir (1930) with Don Morrison and K.W. Gehrkens, and, also with Gehrkens, The Morrison String System (1934).

Williams was also involved in the Oberlin city community as a deacon at First Church, and as president of the Oberlin City Club, where he took part in parent-teacher work.

In 1932, Williams married Mary Eleanor Maltbie, a 1927 recipient of the S. Mus. B. from Oberlin Conservatory. The couple had one daughter, Carolyn Kelley (Osborn), in 1938, who attended Northwestern University. The Williams family resided in Oberlin almost continuously from 1920, except for the three-year teaching stint in Michigan. On February 22, 1973, Williams passed away in Oberlin; he had been treated in the previous year for Hodgkin's disease.

SOURCES CONSULTED:

Student and faculty files (RG 28) of Arthur L. Williams.

Administrative Information

Repository: Oberlin College Archives

Accruals: Accessions: 154, 1987/31, 1987/46.

Access Restrictions: Unrestricted.

Acquisition Method: The papers of Arthur L. Williams were received from Arthur Williams in 1970 (Acc. 154), and from Betsy Young, Office of the President, in 1987 (1987/31, 1987/46).

Separated Materials: Mandolin Club, minutes, programs, 1913-23 (span) removed to RG 19/3/3 Musical and Dramatic Organizations, box 18.  For oversize photographs of the Oberlin Concert Band, 1919-38, Marching Band, 1928-38, and Women's Band, 1930-31 and 1934-35, see RG 32/10, Oversize Photographs, "Musical Groups."

Related Materials: The student and faculty files of Arthur L. Williams are found in RG 28 Alumni Records.  See also the files of the Conservatory (RG 10) and Student Life--Musical and Dramatic Organizations (19/3/3) for additional materials.  See also RG 35, Museum Items Collection for Oberlin College Marching Band patch (accession 2004/009).

Finding Aid Revision History: Processed by Rebecca Deeb, 2002.


Box and Folder Listing


Browse by Series:

[Series 1: Biographical Files, 1920-1981, undated],
[Series 2: Departmental Files, 1924-1969, undated],
[Series 3: Correspondence, 1933-1967],
[Series 4: Writings by Arthur L. WIlliams, 1926-1971],
[Series 5: Photographs, 1928-1958, undated],
[All]

Series 4: Writings by Arthur L. WIlliams, 1926-1971Add to your cart.
Box 1Add to your cart.
Folder 14: "A History of the Oberlin College Band", 1926Add to your cart.
Folder 15: Articles by Arthur Williams (Copies), undatedAdd to your cart.
"Tri-Ad-Libtum," Triad, April 1944; "Tri-Ad-Libtum: Making a One-String Fiddle," Triad, February 1948; "Creative Music Activity As the Basis of Talent Finding in the Schools," June 1948 (manuscript); "The Band Stand," The School Musician, February 1952; "The Band Stand," The School Musician, May 1952; "The We May Honor Karl W. Gehrkens," Educational Music Magazine, September-October 1952; "The Band Stand," The School Musician, December 1952; "Music Exploration in the Grades," Music Journal, April-May 1959; "Should the Drum and Bugle Corps be Replaced?," Instrumentalist, November 1959; "The Band Stand," The School Musician, October 1966; "Ann Arbor–Mecca for College Bands in February," The School Musician Director and Teacher, April 1968; "Locating Positions on Slide Trombones," Music Journal, February 1969; "We Need a Broader Approach to Elementary School Instrumental Music," Study, The School Musician Director and Teacher, April 1970; "How to Prepare for Contests," The School Musician Director and Teacher, November 1970; Guest Editorial, Music Journal, January 1971

Browse by Series:

[Series 1: Biographical Files, 1920-1981, undated],
[Series 2: Departmental Files, 1924-1969, undated],
[Series 3: Correspondence, 1933-1967],
[Series 4: Writings by Arthur L. WIlliams, 1926-1971],
[Series 5: Photographs, 1928-1958, undated],
[All]


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