By Barbara Lambert, Jeremy A. Smith
Title: Frederick R. Selch Collection of American Music History, 1500s-1900s
Creator: Selch, Frederick R. (Frederick Richard) (1930-2002)
Extent: 0.0
Frederick (Eric) R. Selch was a collector, scholar, performer, advertising executive, magazine publisher, and Broadway musical producer. His primary area of scholarly research was the musical cultures of the American Colonial-Federal period (1775–1830).
The Frederick R. Selch Collection of American Music History contains items from the early 16th century through the late 20th century. It includes nearly 700 musical instruments and 6,000 books, as well as a variety of visual and manuscript materials.
The Frederick R. Selch Collection of American Music History contains items from the early 16th century through the late 20th century. It has as its focal point nearly 700 musical instruments and 6,000 books. Among the instruments are several double basses and church bass viols made by the nineteenth century American luthier Abraham Prescott. In addition to print materials that document amateur musical practices in America, such as nineteenth century instruction manuals and tutors for playing instruments, the Collection contains rare books that are among the most influential writings in the history of musical thought. Two examples are: Heinrich Loritus’s (better known as Glareanus) treatise, Dodecachordon (Basel, 1547), a treatise in part that explores a system of ecclesiastical modes, and which in turn influenced such writers as Gioseffo Zarlino, whose Istitutioni Harmoniche (Venice, 1558) is also in the Collection.
The Collection contains a large number of visual materials, including paintings, prints, drawings, tintypes, slides, and paper photographs. Sheet music also has a prominent place in the Collection, with hundreds of scores and bound volumes. Included in the sheet music are over 75 bound volumes and 125 individual pieces from the Fanny Kemble-Pierce Butler-Owen Wister family collection. Finally, the Collection includes a variety of manuscript materials related personally to Selch or to his numerous musical research interests. These include correspondence, address books, and personal calendars, along with Selch’s dissertation research, exhibition plans, and his activities with the Federal Music Society and Ovation magazine.
Additional information on the Collection is available through an exhibit mounted at Oberlin in 2010, a 2008 article detailing the arrival of the Collection at Oberlin, and a digital collection of highlights from the Collection’s Visual Materials series.
To request access to the Collection, contact Conservatory Library special collections staff at: con.special@oberlin.edu.
Access Restrictions: Collection is open for research. To request access to the collection, contact Conservatory Library special collections staff at: con.special@oberlin.edu.
Use Restrictions: The copyright interests in this collection have not been transferred to Oberlin College. For more information, contact Conservatory Library staff.
Acquisition Source: Received as a gift from Patricia Bakwin Selch in 2008
Related Materials: Additional information is available through an exhibit mounted at Oberlin in 2010, a 2008 article detailing the arrival of the Collection at Oberlin, and a digital collection of highlights from the Collection’s Visual Materials series.
Related Publications:
Campana, Deborah. [Selch Collection] in “Notes for Notes” MLA Notes 67 (December 2010): 292-93.
“The Eric Selch Collection.” Library Perspectives: A Newsletter of the Oberlin College Library 40 (Spring 2009): 1, 8.
Selch, Frederick R. and H. Reynolds Butler, The Legacy of Sebastian Virdung; an illustrated catalogue of rare books from the Frederick R. Selch Collection pertaining to the history of musical instruments, with a foreword & additional commentary by Laurence Libin (NY: The Grolier Club, 2005).
Waleson, Heidi. “Object Lessons: The Selch Collection of American Music History.” Oberlin Conservatory Magazine (2008)
Preferred Citation: [Identification of item], Frederick R. Selch Collection of American Music History, Oberlin Conservatory Library